Tuesday, November 16, 2010

Artist's Statement

1 out of every 5 teenagers will at some point suffer from depression within their adolescence. This is an alarming issue in today’s society and many people do not realise how major the effect is. This is why I wanted to express this issue photographically to raise awareness through visual representation.
Things such as smoking, drugs, alcohol and sex are all triggers to teenage depression. Teenagers see these activities as solutions to blocking out their feelings and often this can result in worse effects and addction.
I wanted the models to actually be drinking and smoking to make the photographs more realistic. The models both wore dark clothing to give the photographs an overall dark  colour scheme. The expression on the models faces was deliberately emotionless to portray what teenage depression feels like. Often teenage depression photographs are fake and cliché which does not encompass the seriousness of the issue. The teenagers in the majority of these photographs looked stressed out and extreme which looks forced and not viable. I also wanted two models in each photograph as most teenage depression photographs have one teenager in it and I feel having two models illustrates that more than that one teenager is affected. Although this might seem to take away from the loneliness the models don’t have any connection in the photographs to demonstrate that they don’t express their feelings to eachother.
I used low saturation photographs to give the photos a gloomy effect. The lines across the image also give the viewer a sense of detachment from the depressed teenagers as they feel there is a screen between them. I wanted to gain this sense of detachment because often this is how teenagers feel when they are depressed. I sliced the images to make the photographs seem more intense and make the issue more severe. I used no Photoshop brushes on the models faces or bodies as a deliberate act of expressing another issue within teenage society which is, body image. Often airbrushing creates an unrealistic idea of body image and how we should look that teenagers try to emulate. This admiration of these airbrushed bodies can create angst and prompt depression.
The setting used is not a staged set it is actually a popular place that teenagers use to smoke, drink and use drugs. I used it because it was an appropriate, realistic setting that other teenagers could relate to if they saw it. The graffiti adds to the realistic scene giving it a rebellious vibe.

Changed my mind

I would much rather doing our workbooks in physical books over a blog on the internet. So much easier to jot down ideas and write whatever you want in whenever you want instead of having to be on the computer. Also a bit of a pain to put images into posts and to keep track of what I have done. I like the physical book because you can stick whatever you want wherever and you can give it more character besides just a blog template

Thursday, November 4, 2010

Liminal Portraits - Laura Sackett

Liminal Portraits is an investigation into the contemporary issue of popularity of online social networking with teens. Sackett decided to capture this issue photographically.
This social networking issue that Sackett has raised is quite important in this time as teenagers growing up have learnt to be reliant on the internet and social networking. Sackett's work could influence mine as this is a topic that I would seriously think about doing, but in a different way. Although Sackett captures teens on the computer in her images, I don't find that the social networking issue is the focus. Social networking is refering to Facebook, MySpace, MSN, etc. but these photos just look like webcam photos of teenages - which would focus simply on the popularity of the use of computera with teenagers instead of social networking.

Wednesday, October 27, 2010

Project Proposal

I decided to do the contemporary issue - Teenage depression
My photographs will show models looking depressed - and how they are dealing with it. For the images I want to edit them to an extent to create a sort of gloomy, detached feeling when you view them as this is similar to how you feel when you see someone depressed or are depressed yourself.
Alot of teenage depression photos are pretty cliche. There is always just one teenager looking sad and although this is perfectly valid, I dont feel anything from viewing the photographs as they have no emotion involved. Whether it is the models fault or the photographers, I am aiming to avoid this because what is a photograph with no emotion.
The ways the teenagers will be dealing with their depression in my project is smoking, drugs, and alcohol.

Below are example photos of what I do not want to achieve...

Friday, October 15, 2010

Why blogs are better as workbooks...

I am finding using a blog as my workbook instead of a word document, or visual diary as it keeps all of your work together on one page and you can update previous posts if you need to change them. I like that you can link the title of each blog to the photographer's website. It was a bit hard to get used to as I have never used a blog before but I am getting the hang of it and am liking it more and more.

:-)

Sunday, October 10, 2010

Project Idea

For my project I would like to photograph teenagers out partying, getting dressed up, under the influence. This is what alot of teenagers do today, it is a normal thing, so it is a modern issue.
For each photograph i will take a few similar photographs then put them all in one document but overlapping eachother as I find images like this are much more interesting to look at, there is two or three photos in one and it suits my theme well. Other than partying etc. I could focus on teenage depression.

A photographer called Mark The Cobra takes images similar to what I want to do

Friday, September 24, 2010

Photographer Research - Simon Norfolk

Simon Norfolk was born in Lagos, Nigeria, in 1963 and educated in England, finishing at Oxford and Bristol Universities with a degree in philosophy and sociology. Norfolk wrote a book called For Most of It I Have No Words: Genocide, Landscape, Memory it is about the places that have witnessed genocide. Norfolk is similar to Gilbertson as they both favour war themed photography but Norfolk differs in that he is not in the action like Gilbertson, but he focuses on the aftermath of war, or genocide in this case. Norfolk takes images of destroyed structures, live bombs in elementary schools, memorial sites for the lost. Norfolk also extends his contemporary photography into the technologies genre.
Afghanistan: Chronotopia - A bullet-scarred outdoor cinema at the Palace of Culture in the Karte Char distict of Kabul.

Afghanistan: Chronotopia - The interior of the destroyed Presidential palace at Darulaman.

Israel/Palestine: Mnemosyne - The tailplanes of destroyed jets proudly displayed at Hazerim Air Force Museum.

The Supercomputers - Designing Nuclear Weapons.

Wednesday, September 22, 2010

Photographer Research - Ashley Gilbertson

Ashley Gilbertson is an award winning, Australian photographer who is best known for his photography of the Iraq war. Gilbertson worked on photo essays ranging from drug addiction in Melbourne, to war zones in Southeast Asia and the South Pacific. Gilbertson's photographs are very much eye catching as they give you a perspective of war that alot of people cannot see. We are given close up photographs of soldiers shooting and explosions going off that allow the viewers to gain an understanding of what war is truely like.

The following images are from Gilbertson's project titled Iraq - Whiskey Tango Foxtrot which abbreviated is WTF.

A U.S. Marine slides down a bannister in Saadam's palace.

An American soldier curious to see the face of his enemy, which is a rare occasion.

Marines running for cover after accidently being fired upon from friendlies.

Friday, September 17, 2010

Photographer Research - Montalbetti & Campbell

Denis Montalbetti & Gay Campbell are unique photographers with a distinct style. They take their photos, but take it much further by editing them to create bizarre but original image. Montalbetti & Campbell are specialists in photographing people and the pair use their combined talent to create unique portraits and their own style of work. They photograph leading personalities such as political leaders to celebrities, and they have created a numerous amount of commercial advertisements. Their work is recognised and sold internationally and is also within the National Portrait Gallery and the National Gallery of Australia in Canberra.

Arnott's Tim Tam "Dangerous Liasions" Campaign


Nick Tosches - Author - Entertainment Weekly Magazine
"Blessed Are The Chic" Campaign

Photographer Research - Raphael Mazzucco

RAPHAEL MAZZUCCO is a Canadian fashion, art and music photographer. His style has become iconic with brands such as Victoria's Secret, Guess, L'Oreal, Ralph Lauren and Bergdorf Goodman. Mazzucco uses a seductive style for his influential photographs. He began photographing with Calvin Klein and has now succeeded in photographing for major publications such as Vogue (French and Italian version), Marie Claire, Playboy, Vanity Fair and Sports Illustrated to name a few.

 Mazzucco's work is described as "hot" romanticism, it is a sensitive mix of the erotic and organic. 

Victoria's Secret
Marie Claire - Australia
Guess - 4 Aces

Thursday, September 16, 2010

Contemporary Photography - What is it ?

 As this assingment is purely based around contemporary photography I thought finding the meaning of it was a good place to start...

Contemporary photography in it's simplest form is modern photography.

Modern photography is creating something other than the traditional portrait or landscape which these days often means unusual and abstract photographs.

The concept of contemporary photography is to convey a message to the viewer through creative use of line, form and colour. These photographs should stimulate the viewers mind as there is usually a message behind the abstract image. Contemporary photographs can specifically include computer generated/manipulated images.

Contemporary photography does not only relate to the style of the photograph but what the photograph is of. You can take contemporary photographs of contemporary things - often contemporary issues which can include war, technology, urbanisation, globalisation, ethnicity, culture, poverty, peoples emotions etc.

Photographer Research

Choose a minimum of four contemporary photographers to research for your workbook and as a lead-in to your practical assignment.
Some you may wish to explore are:
Roger Ballen
William Yang
David Lapachelle
Simon Norfolk
John Claridge
Montalbetti & Campbell
Ashley Gilbertson
Raphael Mazzucco
Any of the photographers listed on www.lensculture.com
Any of the photographers listed on www.bandwmag.com

Complete a separate blog post for each photographer and include either images as examples or provide a link to a website containing images.  You should include a brief biography as well as an analysis of the photographer's work.

I have chosen:
Montalbetti & Campbell
Raphael Mazzucco
Ashley Gilbertson
Simon Norfolk

Research Workbook Guidelines

This sessions project is:
Theme-create a portfolio of images that investigate a contemporary issue. The number of photographs is up to you.
Your photographs are to be presented digitally. The format is up to you, so consider carefully what manner of digital output to might like to explore.

1. Explore the theme and technique as presented. Some websites you might like to explore are:
a. www.lensculture.com
b. http://www.ccp.org.au/
c. http://www.bandwmag.com

2. Choose at least two of the artists listed, and one other not listed and analyze their work in your RWB. Remember to talk about their work in terms of technique, content and context. Choose 6 images from each photographer’s portfolio.

3. Complete proposal in your RWB of at least one page documenting your ideas, references, inspirations and techniques you will be working on

4. Begin shooting, processing, manipulating and laying out your work.

5. Complete a 500 word artists statement outlining your work, its technique/s, subject matter and concept. Refer to your proposal and inspirations in your statement.

6.Present the completed artist statement to your teacher so you can discuss some of the ideas you are going to try and the techniques you will be using.

7. Present your work to the class over the projector- your presentation should last no more than 15 minutes.

8. Submit your work digitally to your teacher no later than 4:00PM Wednesday of week 8.